Animatic 02
Today I have finished my first batch of revisions for my story beats and animatic based on feedback for Brian Robinson.
Below is my animatic version 02.
The main changes for this is the implementation of camera movements. Most of the changes have occurred in the story beats where I have slightly altered narrative point and I have also added camera positions into the text itself. One of the more significant changes is the colour code. I decided to give each part of the narrative a colour for each different character that appears. This allows you to look at the story beats and visibly see where the character changes. I have also tried to narrow each character change down to a few core emotions and it turned out that I had somewhat the basis of the five stages of grief reflected in each of my five character changes.
Action beats
The scene starts with
the singular character, Brando, appearing in this bare environment that only
consists of a door as far as Brando can see. The audience discover things at
the same time as the character. Before he was plucked from his life, Brando was
walking down the street muttering to himself about his life. He wants better
for himself but he is too comfortable where he is so doesn’t take the necessary
risks for change. His mutterings consist of how he doesn’t take opportunities
that present themselves.
Colour Code:
Character 01: This is the main character
Confusion/Frustration
Character 02: This is the main
characters First Body Change –
Another man
Surprise/Shock
Character 03: Second Body change – Chubby Kid
Anger/Desperation
Character 04: Third
Body Change – Female
Sadness/Depression
Character 05: Fourth
Body Change – Dog
Happy/Acceptance
Character 06: Back
to Original
Relief/Contempt
Action Beats/Story
Beats
Character 01:
This is the main character
Confusion/Frustration
1: Brando starts off in the
environment with the magic door. (Ultra-wide shot)
He
is far from the door.
2: At first he doesn’t quite
realise where he is. (wide shot cut)
He is
now reasonably close to the door but the audience don’t see him walking towards
it. This is to warp their perception of distance in this opening part.
3: He has his head down doing
head movements like he is giving himself a ‘talking to’. (close up cut)
These
are his emotions that he has carried over from the world he has been plucked
from. He is not happy with his life and wants change for the better but he
doesn’t want to leave his life that is safe.
4: He begins to realise that he
is in some strange environment. (close up)
Confusion
creeps across his face.
4: a: Pauses with Brando looking
at the door. (wide shot)
Puzzled
face.
5: Walks towards closed door.
Pause. Thinking. (same shot)
Confusion
turns to curiosity.
6: Examines door, looks around
the doorframe to only see the other side of the environment. (Tracks into a
mid-shot with Brando and door, camera pans with Brando to the other side of the
door with a puzzled expression)
7: Opens door and looks
confused. Pause. (back to wide shot)
Slight
frustration and some more confusion.
7: b: He makes a move away from
the door, not wanting to bother with whatever is happening. (Wide shot)
His
face reads of someone who doesn’t want the hassle.
7: c: He physically stops
himself, then he turns around back towards the door. (Mid-shot)
7: d: He pauses for a moment,
eyes closed, deep breath. (Mid-shot)
8: Takes a step through the
door. (Mid-shot)
At
this point he has the appearance of “fuck it, let’s see what is going on”.
Character 02: This is the main characters First Body
Change – Another man
Surprise/Shock
9: Comes out looking different
(Franklin rig). (wide shot)
10: Doesn’t realise at first, he
turns around to look at the door once more. (Wide shot)
He
is a little disappointed, he worked himself up to expect something special to
happen.
11: Looks down the doorframe and
suddenly notices he has rather large feet. (Wide shot)
12: Movements of panic as he
feels his face and looks at his hands. (Close-up)
Horror.
13: Looks back at the door –
realisation of what must have happened. (Same shot)
Desperate
emotions as he doesn’t know what to do.
14: In a determined fashion,
storms through the door once more. (Same shot)
Character 03: Second Body change – Chubby Kid
Anger/Desperation
15: Comes out as a chubby kid.
(Wide shot)
16: Despair and anguish at the
second appearance change. (Close up – looking up)
Shock.
Now he is really desperate.
17: He doesn’t have much hope at
this point. (Wide shot)
Character 04:
Third Body Change – Female
Sadness/Depression
18: He goes back through the door and comes out as Sam (the
female). (Wide shot)
19: His mood picks up a little as he admires the body but
when he tries to walk it fails. (Same shot)
He is
breaking down, he is a woman and he can barely walk with the slim legs/small
feet.
Even
more desperation.
19: a: He is on his knees with his head in his hands.
(Mid-shot)
20: He hobbles back to the door and walks through. (Tracking
wide shot – camera follows him crawling to the door)
Character 05:
Fourth Body Change – Dog
Happy/Acceptance
21: He comes out as a dog. (Camera slowly moves to other
side of the door)
(There
is a pause from when the camera gets in position and when the dog comes out)
22: He chases his tail a bit and rolls onto his back.
(Mid-shot of dog with the door in view)
23: The door closes. (Same shot)
A moment of silence as he looks at
the door. His face also silent of emotion. Tongue out panting, wides eyes and
bouncing ears is all that is given away.
24: He dashes towards the door and starts scratching at the
bottom of it. (Close-up shot of him scratching)
Panic
rushes over him.
25: He realises he might be stuck forever. (Same shot)
26: He takes a few steps back and sits with his back to the
door and his head down. (Wide shot – door on right of screen)
He
almost doesn’t know what to do, he has almost accepted his fate.
27: A few moments of him with his back to the door. (Same
shot)
28: The door opens slowly. (Same shot)
28: a: His ears pick up the sound and his head picks up.
(Same shot)
29: He quickly turns around and sprints for the door. (Same
shot – camera tracks to other side of door to see next change)
Character 06:
Back to Original
Relief/Contempt
30: He comes out as his original self. (maintain wide shot)
31: He is relieved and overjoyed, he hugs himself and feels
his face to double check it is him. (Same shot)
He
couldn’t be happier
32: He then confidently walks to the right of screen. (Same
shot)
33: a: Before leaving, he looks back at the magical door
with a wry smile. (Close up)
Suggest
he has gotten the meaning behind what has happened to himself.
33: Shot through the door looking towards Brando as the
door closes slowly while he is walking away.
Summary:
Tomorrow I will present my second drafts during the mentor meeting to get feedback on them. Then hopefully I can get into Maya and begin to block out my entire animation with key poses.
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